Read this one left-to-right as a one-way pipe: the remote studio captures, and the central production team produces.
On the left, the Local Area Network is where the action happens — three cameras, a network switch, and an Iris Bridge Computer pushing feeds out to the internet. On the right, the Remote Location is where production actually runs. There's another network switch, an Iris Studio Computer pulling the feeds in, and a Switcher Software Computer driving the show.
The thing to notice: the studio side stays minimal. You don't need a director, a switcher op, or expensive production gear on-site — that all lives wherever your team works. The remote studio is just the capture point.
This is the classic setup when you have one remote venue and a permanent production crew somewhere else — a campus broadcast room, a regional event space, a stage that needs to look polished without needing to staff a full production team in person.
Use this diagram when the customer's question is "can our team produce a show that's happening somewhere else?"
Diagram
