When Landra finishes generating, you land in the editor. Once you know where things live, you'll move quickly. Here's the lay of the land.
The canvas
The large area on the left is your page, rendered live and fully editable — what you see is exactly what your visitors will see. Click any text to start typing. Use the Desktop / Mobile toggle at the top to preview how the page looks on a phone.
Select some text and a small toolbar appears with bold, italic, underline, strikethrough, highlight, numbered and bulleted lists, alignment (left / center / right), and links.
Every button on that toolbar is a toggle — click Numbered list once to make a list, and click it again to turn it back into normal paragraphs, exactly like bold and italic. Your text stays selected, so you can flick a style on and off while you compare.
New lines vs. new paragraphs
Two different things, on two different keys:
Enter starts a new paragraph — a separate block, with the usual space between paragraphs. It shows up as its own item in the Structure tab.
Shift+Enter adds a line break inside the paragraph you're already in. The text moves to the next line with no paragraph gap, and it stays one block.
Shift+Enter is what you want for things like an address, a short list of lines, or a headline you want broken at a specific word.
A note at the top reads "AI can make mistakes — review before publishing." Always read through your page before you publish — Landra writes a strong first draft, but you're the editor.
The page name
The name in the top bar is what this page is called in Your pages. Click it and type to change it. It starts out as the page's headline, which gets hard to tell apart once you have a few versions of one idea, so giving it a name of your own ("DR, cold open, v3") is worth doing early.
Renaming here changes the dashboard name only. It doesn't touch the headline on the page, the browser tab title, or anything a visitor sees — to change the headline, edit it on the canvas. See Finding and managing your pages for names, tags, and filtering.
The sidebar tabs
The sidebar has three tabs:
Structure — your Page Tree
Shows every section of your page as a card. From here you can:
Navigate — click a card to expand it and jump to that section on the canvas.
Add content — use the + Add content button at the top, or click the + that sits between any two cards to insert in that exact spot.
Reorder — drag a card by its handle or use its ↑ / ↓ buttons; the canvas updates instantly.
Improve, edit, hide, duplicate & delete — every card has a ⋯ menu, including ✦ Improve this section to revise one section's writing with AI feedback, and Edit section to open its background, spacing, and width settings. Hiding keeps the section safe but off your published page; deleting can be undone.
Expand — open a card to see and edit the individual blocks inside it.
Edit — the selected block's settings
Click any component on the page — an offer card, a reason list, a comparison table, a CTA — and the Edit tab opens its property panel. Change headlines, prices, button text and links, images, and which parts of the component show, all without touching code. The canvas updates as you type. Most panels split their controls into Content and Style so you can adjust the wording separately from the look. The ⋯ at the top of the panel lets you hide, duplicate, or delete the selected module without leaving it.
Whole sections work the same way. Hover a section on the canvas and you'll see a dashed outline with its name on a chip; click the chip to select it and the Edit tab shows that section's own settings — background, spacing, corner rounding, and width. See Adding, moving & deleting sections.
Settings — page-level look & feel
Controls that apply to the whole page, grouped under Page, Type, and Color:
Layout — switch between Classic (a clean centered column), Magazine (a wider column with breakout images), Rail (a wider body with a sticky offer sidebar), and Wide (full-bleed sections). Switching is instant and never changes your content.
Max width & corners — fine-tune how wide the page sits on large screens and how rounded cards and buttons are.
Mobile CTA bar — a sticky button pinned to the bottom of the screen on phones, with its own text, link, and guarantee line.
Colors & type — nudge the accent color toward your brand, adjust headline and body sizing, and set headings to regular or italic. See How to change fonts and text size.
Tracking code — paste analytics or pixel snippets (Google Analytics, Meta Pixel, GTM, TikTok) to add to your published and exported pages.
Components
The data-driven blocks on your page — offer cards, reason lists, ingredient and feature grids, CTA banners, pull quotes, comparison tables, timelines, and FAQ accordions — are called components. Click one to open its panel in the Edit tab; edit the fields there and the canvas updates instantly.
The Improve button
Next to Update at the top of the editor sits ✦ Improve. Give Landra freeform feedback on your page's writing — "make it punchier," "focus more on the benefits," "remove all em-dashes" — and it revises the copy for you, with a review bar to compare, keep, or revert every change. It changes the writing only; your layout, colors, and images stay. To work on just one section, use ✦ Improve this section from that section's ⋯ menu in the Structure tab. Full guide: Improve with Landra.
Undo and auto-save
Press Cmd+Z (Ctrl+Z on Windows) to undo your last change. It covers everything you do in the editor: text edits, settings changes like spacing sliders and colour swatches, and structural changes like deleting, hiding, or reordering a section. It works whether you're typing on the canvas or adjusting a panel in the sidebar. The ↩ / ↪ arrows at the top-left of the editor do the same with a click. Your work saves automatically every few seconds — you'll see a "Saved" indicator at the top — so you can close the tab and pick up exactly where you left off. There's no save button to remember.
Still need help? Click the chat bubble in the bottom-right corner of the editor to talk to us, or email hello@getlandra.com.



